king crimson, live in mainz
Friday, February 25, 2011
Elumen Application Instructions
| King Crimson - Live in Mainz 1974 | * 2001 - Discipline Global Mobile CLUB15 (1 cd)
| * 1 / Improv: The Savage ( 2:12) * 2 / Doctor Diamond (5:48) * 3 / impove: Arabica (2:29) * 4 / Exiles (7:01) * 5 / Improv: Atria (6:14) * 6 / The Night Watch (5:07) * 7 / Straless (12:27) * 8 / Lament (4:20) * 9 / Improv: Trio (4:36) * 10 / Easy Money ( 7:51) registration Mainz, Germany, March 30, 1974 line up Bill Bruford (drums, percussion), David Cross (violin, mellotron) John Wetton (bass, vocals), Robert Fripp (guitar, mellotron) Another testimony of Crimson "Starless and Bible Black" ? Is it so special? I am alone in hand me the pole to respond in the affirmative. "Live in Mainz, 1974" will bring water to the mill of those who, like me, believe in a King Crimson to the intuitive intelligence. Copy a set of ten titles shared between compositions and improvisations. Of these improvisations, beautiful, vibrant, full of tension contained ("Atria") and disturbing depth ("Trio") that the strongest supporters of the line up responsible for "The ConstruKCtion of Light" swept - I wish them unconsciously - their mind to retain only sound and fury. Any size group, however, lay precisely in this maddening ability to always stay on the cutting edge, to play the listener with his mastery of contrasts, allowing his game came from hell to lift themselves out of those long silences always threatening. The version of "Starless" present on this disc Applying this precept to the line. It is also adding to the already long list of outstanding performances that the group gave the title is just as important. Exuberance almost misplaced the "Live in Central Park leaves her place by a silent tension with the group, then, must surely be the absolute master. Throughout this performance, the duo Bruford-Wetton is in fine form throughout, but it was David Cross who, more than usual, has the opportunity to shine through his interventions often more accurate ("Dr. Diamond, "" Trio "), sometimes risky and surprising (" Starless "). But as the prime mover of the Crimson King is the power of some form of frustration, we must hasten to take refuge in a smile stuck at the end of the disk where the improvisation of "Easy Money" brings Notes repetitive monstrous "Fracture", before concluding with a premature end as abruptly as! |
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